First published in 1982, William Least Heat-Moon’s account of his journey along the back roads of the United States (marked with the color blue on old highway maps) has become something of a classic. When he loses his job and his wife on the same cold February day, he is struck by inspiration: “A man who couldn’t make things go right could at least go. He could quit trying to get out of the way of life. Chuck routine. Live the real jeopardy of circumstance. It was a question of dignity.”
Driving cross-country in a van named Ghost Dancing, Heat-Moon (the name the Sioux give to the moon of midsummer nights) meets up with all manner of folk, from a man in Grayville, Illinois, “whose cap told me what fertilizer he used” to Scott Chisholm, “a Canadian citizen … [who] had lived in this country longer than in Canada and liked the United States but wouldn’t admit it for fear of having to pay off bets he made years earlier when he first ‘came over’ that the U.S. is a place no Canadian could ever love.” Accompanied by his photographs, Heat-Moon’s literary portraits of ordinary Americans should not be merely read, but savored. –This text refers to an out of print or unavailable edition of this title.-amazon-
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“Suppose we could peer through a tiny peephole in time and chance upon a flash of what was coming up in the years ahead?” The questioner is Kinsey Millhone, middle-aged, two-time divorcee detective and junk food junkie star of Sue Grafton’s popular “alphabet” mysteries; the book is ‘N’ Is for Noose. If Kinsey had had just a smidgen of foresight, she would never have taken her current case, handed down to her from her on-again, off-again flame and comrade in arms, Robert Dietz. We encounter the two this time out after Deitz’s knee surgery, as Kinsey drives his “snazzy little red Porsche” back to Carson City, where she checks out his digs for the first time. To her surprise, he lives in a palatial penthouse, which–under the unspoken bylaws of investigative etiquette–she qualmlessly snoops through. They sit around for a fortnight playing gin rummy and eating peanut butter and pickle sandwiches together, but perennially single Kinsey grows wary: “It was time to hit the road before our togetherness began to chafe.”
She heads off to meet Dietz’s former client, Mrs. Selma Newquist, a devastated widow whose makeup tips seem to come from Tammy Faye Baker. Her husband Tom Newquist, a detective himself, had been working on a mysterious case when he abruptly died of a heart attack. Selma suspects foul play, but bless her, she isn’t the brightest star in the sky and can’t figure out what Tom was working on even though he’s left behind enough paper to fill a recycling truck. Kinsey digs right in and roams the sleepy, one-horse town of Nota Lake for clues, interviewing a colorful cast of in-laws and locals. Beneath the quaint, quiet, country veneer, she unearths a bubbling hotbed of internal strife and familial double-dealing. Was Tom covering up for his partner? Is Selma protecting someone? Grafton’s knack for gritty details and realistic characters (”[Selma's] skin tones suggested dark coloring, but her hair was a confection of white-blond curls, like a cloud of cotton candy”), coupled with the fast-paced, believable story line, makes for another delightful, entertaining read. –Rebekah Warren, Bestsellers editor - amazon-
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“Guitar Towns is a very enjoyable read. I couldn’t put it down. Randy McNutt’s passion for music comes through loud and clear on every page.” –George Thorogood
When recording was more art than science, regional music centers flourished. From the 1940s to the 1970s, before corporate takeovers quieted their distinctive sounds, regional cities turned out hundreds of hits, from “My Guy” to “Five O’Clock World.” Paying tribute to these neglected treasures, journalist and record producer Randy McNutt travels to Norfolk, Cincinnati, Muscle Shoals, Bakersfield, and beyond to seek the creators of hits and myths.-amazon-
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